Sunday, July 17, 2016

Being Here - Julia Oram at Depot Artspace, Devonport 2/7/16-20/7/16

Being Here is a painting and video installation that explores the intersection between digital processes and the traditions of painting.

The work includes video, and a series of experimental paintings on canvas and photographic work created from the moving images. The sometimes obscure though often recognisable images that capture ‘a moment in time’ stand alongside the moving images to provide a context.

Oram’s work reflects on our experience of being in the world and the passage of time, where the moving image re-creates an experience of ‘being there’ similar to our consciousness. Leszek Kolakowski ‘s description of consciousness relates to this process when he states that;

‘I am new at every moment but, by including the whole of my past in my present, I remain the same person.’

Her process investigates the ephemeral nature of video, and the random extraction of snapshots of movement and change that capture the process itself.
The fluid nature of the work itself and the medium is reflected in Henri Bergson’s discussion of time and consciousness when he comments that;

‘It is not the snapshots that are real, it’s the flux, the continuity of transition and change itself that are real.’

Oram intends to draw the audience into the work to reflect on how much we are like our own world, at the same time solid and liquid, and ready to change or dissolve at any moment.


Black Monitor

Crackle

Green Bubble

Spark

Ellipse

Spark & Sooty

Green Bubble, Mercury Bubbles 1,2,3

Installation Shot

Thursday, April 9, 2015

Paint-in Project 2015

Paint in

'Paint in' is a new project that explores the creative process of using paint to create expressive works. Working with strong colour, layers, strokes and drips, these works build up layers and then paint them out to reveal new possibilities.

Painted over a period of a year these works collectively reveal evidence of the hand of the artist and the struggle between the layered colours. Both acrylic and oil paint is used purposefully to create strong glowing dancing works.
Paint-in-Blue
Paint-in-Pink
Paint-in-Cyan
Paint-in-Orange


Paint-in-Green

Paint-in-Fluoro Pink




Sunday, February 16, 2014

'Villas' small sculpture for 'Off the Wall'-Small Sculpture Show 2013 - Waiheke Island

Villas I and II (2013) recycled rimu, paint and pencil.


This finely painted sculpture uses recycled materials to create a new two piece sculpture that alludes to the idea of book ends. The history of the rimu is reflected on the surface to show several interior and exterior aspects of its origins, which include architectural views, decorative forms and original wallpaper designs. This work was shown at the 'Off the Wall' Small sculpture show on Waiheke Island in 2013 and is currently for sale. Contact email juliaoram333@gmail.com


Thursday, October 25, 2012

What the Tree Sees - Art in the Dark

Art in the Dark is on next month- Friday 9 and Saturday 10 November

What the Tree Sees will be shown as part of the Art in the Dark Cinema

 That the Tree Sees (2012) Video stills.

The project explores notions of the park’s space,  as an imagined experience from the tree’s point of view, during daylight hours. The park operates as a vertical corridor, connecting Ponsonby road with lower Howe street and Beresford street west that directs foot traffic in both directions activating the space with both movement and sound.


The boundless possibilities of what the tree witnesses includes the activity of animals, birds and people that use the park, but there is also consideration for the moments of relative inactivity and quiet when the anything can occur. The work goes on to question how many moments, either real or imagined, can occur throughout the park in a day.

Although the audience may be entertained by the images and ideas, there is also a challenge to consider a view of the park from a fresh perspective – from the static, enduring place of the tree, and the park itself.

Sunday, November 13, 2011

'Skywand' Photographs 10-12 November

'Art in the Dark' was a great success this weekend. The weather was perfect and a full moon was very evident on Friday night. As usual there was an amazing atmosphere and a very enthusiastic audience.

                                                                       Skywand with reflected 'bubble'.











Sunday, October 30, 2011

Sky Wand (2011) at Art in the Dark 2011.

                                           'Sky Wand' (2011)
Sky Wand  is a tall, twinkling wand that draws the viewer's attention to the heavens.
The form is filled with flickering lights that eminate through halo-like cut outs. Sky Wand
alludes to the Sky Tower on the city's horizon and prompts the valley strolling audience
to look upwards as they walk down the valley side.  On a starry night the wand will sparkle with the other stars, and when cloudy it will remind us of what is concealed beneath the cloud cover.

The work is designed to remind us of how little we know about what lies beyond our world. The wand's halo shapes allude to the mystery and magic of the heavens and questions how we might imagine the much debated 'hole' in the ozone layer, which may lie directly above us.

See art in a whole new light Art in the Dark 11 & 12 November 2011 Western Park Ponsonby Auckland
Art in the Dark website artinthe dark.co.nz 


Art in the Dark showcases:
  • Kinetic Structures and Sculptures
  • Light Installations
  • Interactive Projects
  • Spatial Projects
  • Landscape Community Projects
  • Sound Installations
  • Short Film Artworks
  • Performances
 

Sunday, November 21, 2010

'Icycle'(2010), Brick Bay Sculpture Trail, Warkworth.


Icycle (2010)
Fibreglass, stainless steel, paint, cedar.

Brick Bay Sculpture Trail,
Snell's Beach
Warkworth.

www. brickbaysculpture.co.nz

Icycle is a whimsical work that plays with scale to combine two objects not normally seen together that come from two opposing scales. This work is also a curiosity, an iceberg presented as a form of confectionery which entices the viewer to approach the work for closer inspection. The slick, white, shiny surface is reminiscent of snowy mountain peaks, and icebergs, but on a model-like scale. In the context of Aotearoa, it is a reminder of the rapidly melting icebergs that passed our southern shores not so long ago.

Although strange and quirky, this sculpture is also alludes to some serious environmental and political issues. Global warming and changes in the ozone layer threaten our safety and even our existence. The excitement of the unusual event of the passing icebergs in 2006 was mixed with the anxiety of its meaning. The concept of melting is also associated with loss, in particular loss associated with both the environment and land. It reminds us of the impact we have had historically in Aotearoa, and that we have on the world today.




































'Sky Mirror' (2010), Art in the Dark, Ponsonby, Auckland.

Sky Mirror (2010)
Fibreglass, nylon, thread, plastic,lights.

Sky Mirror
is a colourful, dynamic light work that allows us to reflect on our perception of space as we look down on the work to see what is in reality overhead. The process also alludes to the traditional placement of knowledge and diagrams to be viewed on a horizontal plane when in this case the reality is vertically above the viewer.

The surface image shows an activated diagram of the October night sky with its thousands of stars, including the Milky Way and the major contellations. When installed Sky Mirror will be orientated for the correct reading of the diagram for October 2010.

Art in the Dark (2010) is a new initiative of lightworks by designer Celia Harrison.

Art in the Dark is an interactive community event that was held in the dark in Ponsonby's Western Park on the 15th and 16th of October 2010.

Art in the Dark transformed the park into a temporary community hub, illuminated by installations, projected short films and performances along a walk throughout the park. The entire event is eco-friendly, and all projects were powered by clean energy, with minimal waste. Art in the Dark aims to develop new forms of sustainable practices within the community with a view to inspiring other events and businesses to follow suit.

Long term, the Art in the Dark vision is to not only make the event in Western Park annual, but also to develop and grow community and environmental awareness via smaller events, providing constant opportunities for artists and progressing an artist collective.


www.artinthedark.co.nz


'Greensleeve'(2008), product design.

Greensleeve (2008)
Products and Services Part 2
curated by Catherine David, designer and architect.
1-17 December 2008.

Room 103
Archilles House
Auckland


In the present economic climate there is rising interest in the need to conserve our natural resources. Greensleeve is a nifty product that changes the way you use water in the home and saves you money. The product restricts the opening of a bathroom or kitchen tap to reduce water usage, and unlike other similar products on the market, the Greensleeve can be applied to any water faucet by anyone, anytime, anywhere.

www.rm103.org

'Snowpads' (2007) Waitakaruru Sculpture Park and Arboretum, Waikato.





Snowpads are four sculptures made from plastic lace, polypropylene and acrylic line, which are designed to float on the pond surface.

This delicate, white, feminine work emphasizes the flatness of the pond surface to make it seem almost illusionistic. The work makes us question our own senses and perceptions as it appears as a perfect geometric form both in the water and with the reflection –also in the sky.
In this way the form seems quite alien, quite out of place, like a spaceship form collaged into the landscape. This feeling of a misplaced form is both disconcerting and alluring.

The Sculpture-in-the-Park show is being organized by Carole Shepheard, as guest curator. Carole is curating this as a group show. She says that ‘ The setting for sculpture is outstanding and without rival and can cater for up to 90 works, however the curatorial position for this exhibition is looking for works that integrate, reflect, challenge and consider this unique environment and which provide audiences with challenges, intrigue and enjoyment.’


Waitakaruru Sculpture Park and Arboretum,
Waikato.

www.sculpturepark.co.nz

'Bung' (2007) Connells Bay Sculpture Park, Waiheke Island.


Bung (2007) is located at Connells Bay Sculpture Park, Waiheke Island and is part of the Sculpture Trust's permanent collection.

Initially shown beside a natural rock basin in the ocean at Sculpture on the Gulf in 2007, Bung is a work that can make sense in a range of sites. Situated at the end of the white jetty at Connells Bay, it extends the visual language of the land and architecture of the tranquil bay. As it extends beyond the limits of the land, the sculpture operates as a punctuation mark - the dot of an i, or the end of an exclamation mark. Oram particularly enjoys the challenge of designing and making work for dynamic environments. The water, change and the flux of the natural environment has been an on-going interest in her art practice. Bung was developed through researching materials and design in the boat building industry. The colour and materials reference modern boats and the materials used can withstand extreme salt water conditions.

Julia Oram’s art can be seen as political as well as conceptual and she is currently working on a body of work that explores notions of loss, both personal and global. For her it is essential that her work makes a social or political statement, but that it balances this with aesthetics. The tension between these aspects; essentially between reality and beauty, has been an interest and focus for Oram over the past five years. She was both inspired and awed by the sublime appearance of the iceberg flotilla that passed the South Island in 2006, which was a timely reminder of the proximity of the issues around global warming. Changes in the ozone layer and global warming threaten our safety and even our existence. The concept of ice melting is associated with loss, particularly with reference to both the environment and the land. By extension it reminds us of the impact we have had historically in Aotearoa, and that we continue to have on the world today. In a similar vein Bung alludes to environmental and political issues. Oram’s work is serious and thought provoking but also quirky and entertaining. What exactly is this bung doing – is it keeping the water in or out?

'Bung' (2007) Sculpture on the Gulf, Waiheke Island



Bung, fibreglass, stainless steel, chain and anchor.
2 metre diameter, .7m depth.

Bung was initially designed to sit beside a natural rock basin in the ocean, beside Waiheke Island. It was part of the Sculpture on the Gulf outdoor sculpture show on Waiheke Island in 2007, which has been renamed Headland: Sculpture on the Gulf.

Bung alludes to the amusing but impossible notion of attempting to plug or control the vast ocean in which it lies. Although at first appearing frivolous it also provides a discourse around island life, in particular the availability of drinking water on the island during summer. The local residents are dependent on tank water and are conscious of the need to preserve, control and plug their precious resource over the hot, dry moths of summer. Although these are serious issues Bung's main purpose is to provide humour and light relief, by surprising visitors on finding a large domestic object floating in the open sea.